A bottega, two generations, one craft that almost disappeared.

Ulderigo Giannoni arrived in Pietrasanta at a time when the town was a town of sculptors — hundreds of workshops, the sound of chisels in every street. He learned the way everyone learned then: by watching, by failing, by spending years on the parts of a sculpture no one would ever notice. Sixty years later, his hands still know what marble allows and what it refuses.