The Works — Sculpture
A sculpture by Studio Giannoni is never started twice. Each piece begins as a 3D model, approved together with you, before a single tool touches the marble — and ends only when Alberto decides, by hand, that it is finished.
Original pieces and private commissions. Each caption notes the material, the approximate dimensions and the time it took to carve — never the price.
A classical reproduction in Carrara marble, after the antique original held at the Musée du Louvre. Carved and finished entirely in our Pietrasanta studio, and now part of a private collection.
A classical reproduction in Carrara marble, after Michelangelo’s original at the Galleria dell’Accademia, Florence. Carved and finished entirely in our Pietrasanta studio, now held in a private collection.
A reproduction of Michelangelo’s Pietà, based on a plaster model of the original statue in St. Peter’s Basilica that is also present in our studio today—created at a time when a direct connection with the great master was still possible.
A classical reproduction in Carrara marble, after the 19th-century model by Odoardo Fantacchiotti. Carved and finished entirely in our Pietrasanta studio, now held in a private gallery collection.
A classical reproduction in Carrara marble, after Antonio Canova’s original (1806–1812), held at the State Hermitage Museum, St. Petersburg. Carved and finished entirely in our Pietrasanta studio, and now part of a private collection.
A classical reproduction in Carrara marble, after Antonio Canova’s original (1809–1822), held at the National Gallery of Art, Washington. Carved and finished entirely in our Pietrasanta studio, and now part of a private collection.
Placeholder grid — to be replaced with real catalogue photography and piece-specific captions.
From the Journal
A quiet aesthetic is emerging in collector searches right now: marble carved to mimic the gentle weight of a pillow. It is a genuine trend, not an invented one — and exactly the kind of contrast Alberto’s hand was built for.
