The Atelier

A bottega, two generations, one craft that almost disappeared.

Master sculptor Ulderigo Giannoni using the pointing technique on a marble portrait, Pietrasanta atelier

Ulderigo

Sixty years of knowing what marble allows.

Ulderigo Giannoni arrived in Pietrasanta at a time when the town was a town of sculptors — hundreds of workshops, the sound of chisels in every street. He learned the way everyone learned then: by watching, by failing, by spending years on the parts of a sculpture no one would ever notice. Sixty years later, his hands still know what marble allows and what it refuses.

Alberto

The one who stayed.

Alberto grew up watching his father work. When his generation left Pietrasanta — for other cities, other careers — he stayed. Today he is one of the few sculptors his age still carving in the town that once shaped his family’s life. He brought a few new tools into the studio. He never brought a new philosophy.

Sculptor Alberto Giannoni beside an unfinished marble lion sculpture, Pietrasanta studio

What Passes Between Them

Ulderigo Giannoni inspecting a raw Carrara marble block marked with the family name, before cutting
Ulderigo and Alberto Giannoni rough-carving marble blocks side by side in the Pietrasanta studio

“What passes from Ulderigo to Alberto is not a business. It’s a way of looking at a block of marble before the first cut is made — and knowing, somehow, what it will become.”

Space reserved for a direct quote from Alberto — to be collected before publication.

Continue the Story

Two ways to go deeper into the bottega.